Review
2017
‘’†ŽR’q‰ξ“W<_“ސμέZ>@
‘ΞŠ_‚ή‚Β‚έ“W<“Œ‹žogέZ>
‘θA’J‰ΓN“WƒƒXƒyƒCƒ“E‘εγέZ„

2016

‘…‘Ίˆ»Žq“WƒŒQ”nogE“Œ‹žέZ„
‘‹gˆδG•½“Wƒ•Ÿ‰ͺog“―Œ§έZ„
‘”–؍؁XŽqƒη—togE•Ÿ‰ͺέZ„
‘‹ΰŽq‘P–Ύƒ‘ε•ͺogE“ޗǍݏZ„
2015

‘ƒWƒ‡ƒ‹ƒfƒBEƒCƒZƒ‹ƒ““W
‘•“c—Ο‘γ“Wƒ“Ώ“‡Œ§og„
‘Ό”φˆΙ’m˜Y“Wƒ²‰κ„
‘“c½Š²•v“Wƒ“Œ‹ž„
‘θA’J‰ΓN“WƒƒXƒyƒCƒ“E‘εγ„
2014
‘ΞŠ_‚ή‚Β‚έ“Wƒ“Œ‹ž„
‘Š`θ@‹œ“Wƒ–kŠC“ΉE‘εγ„
‘‹gˆδG•½“Wƒ•Ÿ‰ͺ„
‘…‘Ίˆ»Žq“WƒŒQ”nE“Œ‹ž„
‘’†ŽR’q‰ξ“Wƒ_“ސ쁄
2013
‘θA’J‰ΓN“WƒƒXƒyƒCƒ“A‘εγ„
‘νέμ•i“WŽ¦‰ο
‘‘—Ρ–ΎŽq“Wƒ•Ÿ‰ͺ„
‘‚l‚h‚v‚`‚d‚k“W<_ŒΛ>
‘ŽR‰ΊƒWƒ…ƒ“ƒR“W<‘εγ>
2012
‘“c½Š²•v“W<“Œ‹ž>
‘’†μ“ή”ό“ϊ–{‰ζ“W<“ή—Η>
‘•“c—Ο‘γ“W<“Ώ“‡>
‘’†ŽR’q‰ξ“Wi_“ސμj
‘‹gˆδG•½“W<•Ÿ‰ͺ>
‘…‘Ίˆ»Žq“WuReverberationv
2011

‘θA’J‰ΓN“Wm‰A‰e—ηŽ]n
‘’·“‡[“W<_˜b‚Ζ“`ΰ>
‘‘—Ρ–ΎŽq“Wu‘Ξ‹Ι‚ΜŠΤ‚Εv
‘ŽR‰ΊƒWƒ…ƒ“ƒR“Wupark‡Uv
‘“c½Š²•v2011“Wu­Υv

‘MIWAEL2011“W
2010
‘‰ͺ•‡ŽOŽq2010“W
‘Ralph Bernabei@“W
‘•“c—Ο‘γ“W[‚P‚S~‚P‚V‚ƒ‚]
‘Šβ“cGΊ“W@mRATIOn
‘θA’J‰ΓN“W@m•Y‚€n
‘GALA Contemporary Art 2010
‘“c½Š²•v“W
‘MIWA“W
2009
‘‰ͺ•‡ŽOŽq2009“W
‘GALA Contemporary Art 2009